In Praise of Yellow

I was at my local nursery the other day when I couldn’t help but overhear a conversation, (mainly because I was eavesdropping), between a woman and her mother. ‘You don’t like yellow, do you mum?’  ‘No’, she replied, rather brusquely, dismissing one of the four primary colours as if it were a least favourite food or day of the week. Immediately my ire was raised.

Last year I presented my first show garden at the RHS Chelsea Flower show.  This has been a long-held ambition. Only a recent graduate in garden design, I found myself awarded this incredible opportunity after entering my design in the competition for the new container garden category.  I was beyond excited, humbled, and nervous in the run up to the show.  My design, entitled ‘Pop Street’ garden, was inspired by Pop and Street art, for their vibrant colours, energy and optimism – something as we came out of lockdown, I desperately craved. The colour yellow, my favourite colour, featured prominently – hence my reaction. The artist Fernand Leger once said that:

“The craving for colour is a natural necessity just as for water or fire. Colour is the raw material indispensable for life. At every era of his existence and his history, the human being has associated colour with his joys, his actions and his pleasures”.

I’m mad for colour.  Colourful clothes, shoes, furniture, plants etc.  You name it.  Now I know that we all have colours that we like, colours that we like to wear, or colours that we won’t wear – for various reasons.  For example, I seldom wear the colour red as I don’t think it looks good on me. I feel like I look like a giant ketchup bottle.  Simple as that. Overhearing this conversation at the nursery got me thinking, as it seems to be a fairly common comment from people, this ‘down on yellow’.  Even the garden designer Rachel de Thame wrote in Gardens Illustrated that she and her friends had ‘fallen out’ with yellow.  She conceded that she was trying to bring more yellow into her garden now, but her comments were hardly high praise for a colour that is psychologically the happiest colour in the spectrum and has been shown to energize people and relieve depression. Yellow stimulates mental processes and the nervous system, activates memory, and encourages communication. My design for Chelsea celebrated colour loudly and proudly. 

Colours have different meanings to different cultures.  Yellow is associated with both positive and negative traits, so perhaps it is unsurprising that people are seldom full-throated in their praise. 

Yellow sparks a broad range of emotions. It can be playful and radiant, whilst unforgiving and foreboding. The many facets of the colour speak to an incredible spirit and fascinating hue.  At its best, yellow symbolises happiness, optimism, positivity, creativity, perception and warmth.  The effects of yellow can be to energise, amuse, inspire and clarify. At its worst, cowardice, deception, egotism and caution.

The colour yellow stimulates the left side of the brain, which promotes logical thinking. It encourages us to focus our thinking and make informed decisions. When we see the colour yellow, it prompts us to remain practical. Yellow is inherently optimistic and can boost our confidence. When used at networking events, the colour yellow has proven incredibly effective in producing mutual collaboration.

When anxieties and fears become all-consuming, the colour yellow can help provide peace of mind. By enabling us to make sound decisions, yellow can help instil simplicity into complex situations.  As previously stated, yellow relates strongly to cognizance and awareness, not exaggerated emotion. However, yellow can also trigger uneasiness. If you are prone to nervousness and self-criticism, yellow can stimulate an unhealthy amount of critical thinking.

Colour shades can also reflect associations in a positive or negative way. For example, darker shades of yellow represent caution, jealousy, decay and disease. Lighter shades are associated with intelligence, freshness and joy.

There are a variety of popular phrases and cultural references that bestow various attributes and associations with yellow.  The phrase ‘Yellow bellied’ – means to be cowardly and afraid.  An archetypal American term that began life in England in the late 18th century as a mildly derogatory nick-name. “Yellow bellies was a name given to persons born in the Fens, who, it is jocularly said, have yellow bellies, like their eels. However the usage wasn’t limited to the Lincolnshire Fens. In a match against a team from Cornwall, in the late 16th century, the Wexford hurling team, to distinguish themselves from the other team, played with yellow cloth tied around their waist, and this caused them to be nicknamed The Yellowbellies. Wexford still play in yellow and the name has stuck, although it isn’t clear when the nickname was first used. This story, in as much as it can be verified at all has no connotations of cowardice. None of the early English or Irish uses of the name suggest cowardice. For that connotation we look to the USA. John Wayne’s slow drawl in any cowboy movie comes to mind in terms of delivery, though I’m not certain Wayne ever uttered the phrase. The first use of the term that I can find comes from the USA, from an account of a military skirmish in Texas, reported in The Wisconsin Enquirer, April 1842.

“We learn from Capt. Wright, of the N. York, that it is the intention of the Texans to “keep dark” until the Mexicans cross the Colorado, and then give them a San Jacinto fight, with an army from 5000 to 7000 men. God send that they may bayonet every “yellow belly” in the Mexican army.”

The US usage initially applied specifically to Mexicans, who were soon to be at war with the USA. Whether the ‘yellow’ reference was a racist allusion to skin colour, ill-health, or to a likening to snakes, lizards etc. isn’t clear. Whatever the origin, the US ‘coward’ version seems to be independent of the earlier English nick-name.

Yellow journalism and yellow press are American terms for journalism and associated newspapers that present little or no legitimate, well-researched news while instead using eye-catching headlines for increased sales.  The tabloids come to mind.

My personal favourite yellow connotation is with the song by 60’s singer Donovan. ‘Mellow Yellow.’ ‘I’m-a just mad about saffron. She’s just mad about me.  They call me mellow yellow…’ Donovan tells the story that he and John Lennon used to look in the back of newspapers and pull out things they found funny and they’d end up in songs. The song is about being cool, laid-back, and also the electrical bananas that were appearing on the scene – which were ladies’ vibrators. “I was reading a newspaper and on the back there was an ad for a yellow dildo called the mellow yellow,” he said. Back-up vocals for the song were provided by Paul McCartney.  Mellow Yellow was also another name for the drug LSD.

In the US the song reached No. 2 on the Billboard Hot 100 in 1966. “Mellow Yellow” peaked at No. 8 in the UK in early 1967.

Yellow is a herald of spring, seen in the early blooms of Forsythia and daffodils and narcissus.  It is a champion of hot summers, in sunflowers, dahlias, kniphofia’s, cana’s and cosmos.  In autumn we find it in Achillea, Rudbeckias and in the autumn leaves of countless deciduous trees. Winter Aconites, Jasmine and Mahonia carry on until the cycle begins again. Yellow roses for friendship, marigolds for the beauty and warmth of the rising sun, or for despair and grief at the loss of love. The Buttercup Game. A traditional child’s game where you hold a bright yellow buttercup under your chin and if it reflects yellow onto your skin, then you are said to like butter. Favourite yellow foods?  Macaroni cheese, bananas, saffron rice, English mustard, yellow peppers, corn on the cob.  The list goes on.   Ever present yellow. Amazing yellow. Dynamic yellow! There’s a yellow out there for everyone, for every mood. Yellow does not apologise, and if it’s your favourite colour, like it is mine, neither should you for singing the praises of all things yellow in the garden. 

Art in the garden – ensuring for quality

 

Do you want to include sculpture in your garden? There is a lot of bad garden sculpture on the market. Just because it has featured at the Chelsea Flower Show, does not ensure that the work is of good quality – either artistically, or in its construction. Let’s get into it, shall we?  There are several things for you to consider if you want to include something truly original and personal in your garden.  A piece of art that will potentially not only hold its value but increase over time.

Three Bears by Laura Ford 2017

In 2020 The English Garden magazine published an article entitled: ‘Garden Sculpture: A guide to picking a piece for your outdoor space’. The article asserts that ‘a well-chosen piece of garden sculpture brings focus and structure to an outdoor space, and there are shapes, styles, sizes and materials to suit any space or budget.’ Absolutely true, and Deputy Editor Vivienne Hambly then proceeds to outline ‘the options’.  Considerations range from the type of materials used, both in the sculpture itself and the base or plinth used in its display, form, size – both domestic scale and what she refers to as ‘High and Mighty’, the use of large sculpture to draw the eye upwards, or to create a distraction from a less favourable view. Design styles are referenced, such as ‘wit and whimsical’, ‘minimalist’, human forms and ‘likenesses’, and ‘storied pieces’ such as a reference to a piece of children’s literature, another nod towards the whimsical. The rationale for these considerations is expertly articulated and the article is supported by many fine examples of artists and suppliers.  However, what the article doesn’t tackle, and indeed can be a thorny subject, is the quality of the works on offer. Some of the makers mentioned have, at one time or another, advertised with the magazine, so perhaps this shouldn’t come as a surprise.  Many garden designers are reluctant to have this conversation, because they don’t know whether a piece of sculpture is of high quality or could be considered a work of art.  Garden designers have varied backgrounds and skillsets – being knowledgeable about art isn’t necessarily one of them.  

 

Do you really want to choose an ‘off the shelf’ sculpture for your garden?  A stainless-steel orb for example?  Oh sure, relatively easy to keep clean and withstand the elements and will add visual interest, but not very personal is it?  Anyone can have a stainless-steel orb and they are available from a wide range of suppliers in different sizes and price points.  The art in your garden can say as much about you as your choice of structural plants or the perennials in your herbaceous border. With Britons spending more time in the garden and utilising their outdoor spaces for maximum effect and enjoyment, why would you settle for something less in your garden ornamentation than something truly personal and unique?  

The UK has an incredible array of artists that you can commission to create a one-off unique piece of art for your garden.  Many are experienced at creating public art, artists whose works are recognised for their quality and craftmanship and acknowledged nationally and internationally in their reputation.  Commissioning an artist to create a bespoke work of art for your garden is not as difficult or daunting as you might expect.  Here are my considerations to help you demystify the process of purchasing a work of art that is original, individualised to your specifications, and that will hold or increase its value in the years to come.

Tumbling Dice 1 (black) by Eva Rothschild 2014
  1. RESEARCH

Educate yourself.  Why not start locally, by attending art fairs, degree shows (who knows, you could be commissioning the next Damien Hirst?) or visiting galleries and institutions. Many commercial art galleries are just there to sell to you, (though there are many excellent ones as well), but a good place to start is to speak to a publicly funded gallery or museum.  If they have a collection and work with artists, or commission artists, they will have the knowledge and expertise to be able to advise you. Ask to speak to a curator or find out if your local authority has an arts officer. They will have trained in art history, design or museum studies and will be interested in sharing that knowledge, without trying to sell you something. Many local authorities recognise the value of public sculpture for its ability to elicit civic pride, and support community cohesion and wellbeing. The expertise at a local level can help to make you aware of artists of recognised quality living in your area. 

Finding the right artist for your idea is key to the success of the commission. Once you have found an artist that you love, look at their website to really familiarise yourself with their work. Have they shown in galleries or institutions or does their work appear in named private collections? These are all marks of quality. Is there any artwork similar to what you want to commission?

Think about your budget. Every commission is different, and the artist will only be able to give you an exact price once they know more about your art commission. If their website gives an indication of price, great.  If not try doing a bit of extra research using resources such as the artnet.com website, which lists the works of over 340,000 artists. At this stage the most important thing is working out what it is that you want the artist to create for you. Find an artist whose style you like – don’t ask them to create a work in a completely different style.  A good artist will have worked for years to perfect their approach and way of working.

  1. CONTACT THE ARTIST

After deciding that you like a particular artist, and when have a good idea what kind of artwork you want, get in contact with the artist, to see if they are open for commissions. A quick summary of what you want is usually fine at this stage. Examples of similar work from the artists website might be useful and ask if they need any more information from you. Try and give a clear description of what you want to commission, with examples or references if possible. How do you want the work to make you feel?  What does it represent to you?

  1. AGREE ON THE DETAILS

Once the artist has responded and is happy to take on your commission, take time to work out the exact details and timeframe before any work starts.  For the buyer this is one of the most important stages of the commission process. The artist might have a procedure that they follow, if so, be guided by their advice. Always ask questions or clarifications if there is anything, you’re unsure about. Often artists will have a purchase order form, or a contract, for you to fill in at this stage.

When agreeing the details, you might want to include: technique to be used e.g. stone carving/casting, metal fabrication (ensuring material is suitable for the elements where you aim to have it displayed), size of the artwork, subject matter, any reference images that you will supply, style (if the artist works in different styles), colours to be included or any text to be included on the artwork. Agree when you can you expect initial sketches and the timeframe for finalising the design, and the making and installation of the final artwork.  Find out exactly what is included in the price. How many revisions or changes are included? Transportation and installation costs? How and when do you pay?

  1. FEEDBACK & REVISIONS

Remember that revisions are a normal part of the commission process and the artist will be expecting some feedback from you. Check in with the artist as the commission progresses, but don’t expect constant updates. Do ask to see a sketch or work in progress early on, to make sure the commission is heading in the right direction. Be polite and friendly when giving feedback. Don’t expect the artist to accept endless requests for revisions. Big revisions, or changes to the brief at a late stage of the process, will mean a lot more work for the artist. Such requests might be subject to an extra fee. If possible, refer to what you agreed in the initial order form or contract.

  1. FINAL ARTWORK & DELIVERY

Once you have approved the final artwork, work out how it will be delivered and safely installed. Pay any outstanding fee promptly.

You can also choose to work with a consultant on commissioning an artist rather than do all the research and groundwork yourself (although this can be a richly rewarding experience, and highly addictive!  Once you’ve commissioned an artist once, you’ll want to do it again).  The public art online index  contains details of agencies and consultancies across the UK with the expertise and local knowledge to help you find an artist that meets your needs.

A sculpture that you commission from an artist of recognised quality will be a unique, collectable, and valuable work of art that will give you enormous pride and pleasure for years to come.  Not only will you be supporting the career of an independent artist, but you will also be adding enormous value to your home with a personalised original work of art that you had a hand in bringing to life.

Do we really need to see more bronze Hare’s?

Cathedral by Kevin Atherton 1986

 

Lockdown Gardens: Summer’s here

Monty Don.  He’s like a zen mountain man in relaxed denim who makes you believe that everything will work out fine. I have a lot of respect for a man who acknowledges that even after all his years of experience – one minute you’re 32, the next your 60 –says he still feels green, or an imposter, when presenting at fairs and at the RHS Chelsea Flower show. 

Like you, or possibly like you, I spent a lot of time watching programmes on television and on the internet on catch-up during lockdown.  I watched Monty’s Paradise gardens, his French gardens, his Japanese gardens, and the online coverage of Chelsea – an annual ritual for me denied to us all this year. All excellent. Thanks Monty.  I also listened in on a variety of lectures and talks, increasing my knowledge and learning about the experience of many of our top garden designers and gardeners.  I especially enjoyed a two and a half-hour session with Fergus Garrett of Great Dixter on layered planting, which if still available, I highly recommend you rent.  Now that summer is here and more particularly, now that lockdown has begun easing, I’ve started volunteering at a lovely garden near Haywards Heath, Borde Hill.  https://www.bordehill.co.uk/  If you’ve never been I recommend it highly.  The staff are fantastic, the café is excellent and the summer border is looking absolutely stunning.  You can book a visit online and social distancing is being observed.  A few weeks ago my dog became unwell and would be up each night being sick.  He would regain his appetite the next day, but as this pattern continued, we took him to the vet who promptly but him on anti-biotics.  His liver enzymes were elevated, often the sign of ingesting some type of poison.  Immediately I thought – is it something in the garden?  Is it something I’ve done to put him in harms way?  Is it the Echiums? Though toxic to horses, there is no evidence that they are so to dogs.  However, I quickly set out to pull down the three huge Echium pinniana candelabra towers  – over thirty flower spikes creating a cathedral like effect, dominating the garden – and deposit them in the compost heap, just to be safe.  Triennials, I had been nurturing these tree Echiums over the last two and a half hears, which I grew from seed, into these enormous prehistoric looking towers of blue flowers.  It had been bee central for weeks. Turns out, according to the vet, it wasn’t the Echiums at all.  We never did discover what made Moose, that’s my Parsons Jack Russell, ill.  To our relief, the anti-biotics got him back to his perky inquisitive self.  Whilst we didn’t get to enjoy the Echiums for as long as we would have liked – on the plus side there are big empty spaces to fill with late flowering perennials, and maybe some new ornamental grasses and shrubs!  Whoo hoo!  Roll on summer and remember: wear a mask when you go shopping – out of respect for others. Stay safe, keep happy, and keep gardening.

Lockdown Gardens: Week 8 – the new normal?

Well at least I don’t have to worry about getting my hair cut.  I have been shaving my head for 20 years – I think I started losing my hair when I was 19? I started shaving it when I was around 30 when I retired from my first career as a dancer.  As a young man growing up in suburban Toronto, with periodic trips to London thanks to my anglophile parents – I wasn’t afraid to experiment with hair styles, or colour.  I even dabbled in some ‘modelling’ when I was a teenager.  By modelling I mean willing victim to let a hairdresser do whatever they wanted to my hair – and not have to pay me.  Pictures were taken and these went up in the salon’s window. So much for my modelling career.  Weirdly a couple of months later, on a trip to London the summer I turned 17, I was walking past a window in Seven Dials… and there I was in black and white. A portrait of me with a bouffy do. It’s a shame it was in black and white because at the time I think my hair was the colour of autumn leaves, which was many shades of everything I suppose.  I shouldn’t be surprised that it started thinning soon after that. However, that has been one less obsession that my girlfriends, neighbours and colleagues have been going on about during week 8 of the lockdown.  Oh to visit a salon!  Examples of home haircuts have been one of many welcome distractions. I smile soberly and say, ‘You look great!’ when asked for my honest opinion.  Honestly, I’m glad I don’t have hair anymore. 

The number of hours spent in Zoom or Team meetings, has meant that life on the internet has been unrelenting.  The new normal is to start my gardening chores before nine o’clock and return to them after 5.  I’m averaging three to four hours every day. Thanks to the relatively dry spring, my Hosta’s have been free of snails and slugs! I hail this as a huge achievement, even if it has little to do with me.  I have tried grit, glasses of beer, sprays with soapy/vinegar/garlicy water, nothing but catching the critters in the tracks and removing them to the wood opposite the house seems to work. My weeding efforts have gotten top marks over these last few weeks.  If I spot even the whisper of a sprouting bindweed tendril, whoosh!  Out it comes.  This year I invested in a Niwaki Hori Hori knife. It is a fantastic tool, and you can use it to remove weeds, dig small holes to plant things, and to cut through roots and branches.  I wear it on my tool belt. It makes me feel almost invincible in the garden, like there’s nothing I can’t accomplish.  A true happy garden warrior.  Note to self – must rein in the internet shopping.  Keep happy, and keep gardening. 

Lockdown Gardens: Week One

Well, huh.  So, this is really happening.  We watched it start to happen on the news.  We saw how other countries had started to respond, so it was only a matter of time – whether too late or not, I leave you to decide, before we were told: We’re on lockdown.  A lockdown can be defined as an emergency protocol implemented by the authorities that prevents people from leaving a given area. Hmmm, so there goes our trip to Canada.   My sister is going to provide me with regular updates as to our mother’s health, who at 90 lives not far from her in a care home. Working from home. Trips to the shops only for essentials. Wow, these really are unprecedented times.  Thankfully, I have my garden.  Last year I had a lot of ambitious plans for the garden.  I was going to complete work on the shed, spend more time keeping on top of weeds and trimming hedges – even start to improve the state of the lawned areas of my garden.  When I say ‘lawned’, what I actually mean is the parts of the garden that I’ve left to grass to satisfy my partner’s need to stretch out on the ground on a blanket in order to sunbathe.  If I had my way there would be no grass, just more plants, plants, plants!  For me, my garden is not only a sanctuary that brings me peace of mind and is an endless source for exercise – it’s my laboratory.  This is where I can study a plants habits, learn about its likes and dislikes as I continue my horticulture and design studies.  At times, parts of the back garden are a complete hot mess.  In my estimation anyway.  When I drag my partner outside for a ‘turn about the garden’, very Jane Austen me, and explain that this plant or that shrub will need to be moved, he just smiles benignly. ‘Okay, whatever you say, this is your thing’.  When I ask him what his favourite plant in the garden is: ‘I like the green one’, he’ll say, pointing randomly in any direction.  For now, I let him keep his patches of grass.  Looks like I’ll have the time now to realise those ambitions for the garden this year after all…Keep happy and keep gardening.